Hans Feibusch, né le 15 août 1898, et mort le 18 juillet 1998, est un peintre et sculpteur allemand d'origine juive qui vit et travaille en Grande-Bretagne de 1933 jusqu'à sa mort. Il est surtout connu pour ses peintures murales, particulièrement dans les églises anglicanes. En tout, il travaille dans trente églises anglicanes (28 comme muraliste, et deux, dont la cathédrale d'Ely, comme sculpteur seulement) et il produit ce qui est probablement le plus grand nombre d'œuvres de son métier dans l'histoire de l'Église d'Angleterre[réf. nécessaire].

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  • Hans Feibusch, né le 15 août 1898, et mort le 18 juillet 1998, est un peintre et sculpteur allemand d'origine juive qui vit et travaille en Grande-Bretagne de 1933 jusqu'à sa mort. Il est surtout connu pour ses peintures murales, particulièrement dans les églises anglicanes. En tout, il travaille dans trente églises anglicanes (28 comme muraliste, et deux, dont la cathédrale d'Ely, comme sculpteur seulement) et il produit ce qui est probablement le plus grand nombre d'œuvres de son métier dans l'histoire de l'Église d'Angleterre[réf. nécessaire]. (fr)
  • Hans Feibusch, né le 15 août 1898, et mort le 18 juillet 1998, est un peintre et sculpteur allemand d'origine juive qui vit et travaille en Grande-Bretagne de 1933 jusqu'à sa mort. Il est surtout connu pour ses peintures murales, particulièrement dans les églises anglicanes. En tout, il travaille dans trente églises anglicanes (28 comme muraliste, et deux, dont la cathédrale d'Ely, comme sculpteur seulement) et il produit ce qui est probablement le plus grand nombre d'œuvres de son métier dans l'histoire de l'Église d'Angleterre[réf. nécessaire]. (fr)
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  • Feibusch's work was always representational but he developed early on an Expressionist use of colour and intensity of vision. Feibusch used colour to accentuate intent and meaning. The composition, often of closely grouped figures, are neo-classical in their arrangement and mannered poses. His first public mural in England was The Footwashing, for the New Methodist Hall in Colliers Wood, a commissioned by Edward D. Mills in 1937. He was befriended by George Bell, Anglican Bishop of Chichester, whose influence caused him to receive the first of his church commissions for murals on religious themes. Among the first of these is the mural in the bishop's private chapel in the episcopal palace in Chichester. This made use of the medieval wall already existing at the chapel's west end, containing blocked windows. Feibusch depicted people looking out of the windows. Many though not all of his murals are in the Diocese of Chichester, including a Pilgrim's Progress at St Elisabeth's Eastbourne, Christ in Majesty at St Mary's Church, Goring-by-Sea, the Prodigal Son in All Saints, Iden, and St John Baptising Christ in the baptistery at Chichester Cathedral, a nativity cycle at St Wilfrid's Church, Brighton. Others works are at churches in Coventry, Wellingborough, Preston, Paulsgrove, and Exeter; Christchurch Priory in Dorset; and others at St Ethelburga's Bishopsgate and St Alban the Martyr, Holborn in London. He created a mural of the Trinity in Glory for St Alban the Martyr, Holborn, in 1966, his largest single work, together with fourteen stations of the cross and a bronze figure of Christ for the outer wall of the church. Another large work in London is the Adoration of the Cross at St Michael and All Angels in Harrow. More work in London at St John's Church, Waterloo. For nearly forty years the artist Phyllis Bray collaborated with Feibusch on producing his church murals. He also produced non-religious work at the village of Portmeiron in Wales as a result of his friendship with Clough Williams-Ellis, and his portrait of Williams-Ellis is held in the National Portrait Gallery. He also decorated civic buildings in Dudley and Newport. A series of 12 murals by Feibusch, each over , around the central hall of Newport Civic Centre, tell the history of Newport. They were commissioned by Newport Corporation in 1960 and painted during the period 1961-4. The Dolman Theatre in Newport houses a mural of an early travelling theatre painted by Feibusch in 1967. (fr)
  • Feibusch's work was always representational but he developed early on an Expressionist use of colour and intensity of vision. Feibusch used colour to accentuate intent and meaning. The composition, often of closely grouped figures, are neo-classical in their arrangement and mannered poses. His first public mural in England was The Footwashing, for the New Methodist Hall in Colliers Wood, a commissioned by Edward D. Mills in 1937. He was befriended by George Bell, Anglican Bishop of Chichester, whose influence caused him to receive the first of his church commissions for murals on religious themes. Among the first of these is the mural in the bishop's private chapel in the episcopal palace in Chichester. This made use of the medieval wall already existing at the chapel's west end, containing blocked windows. Feibusch depicted people looking out of the windows. Many though not all of his murals are in the Diocese of Chichester, including a Pilgrim's Progress at St Elisabeth's Eastbourne, Christ in Majesty at St Mary's Church, Goring-by-Sea, the Prodigal Son in All Saints, Iden, and St John Baptising Christ in the baptistery at Chichester Cathedral, a nativity cycle at St Wilfrid's Church, Brighton. Others works are at churches in Coventry, Wellingborough, Preston, Paulsgrove, and Exeter; Christchurch Priory in Dorset; and others at St Ethelburga's Bishopsgate and St Alban the Martyr, Holborn in London. He created a mural of the Trinity in Glory for St Alban the Martyr, Holborn, in 1966, his largest single work, together with fourteen stations of the cross and a bronze figure of Christ for the outer wall of the church. Another large work in London is the Adoration of the Cross at St Michael and All Angels in Harrow. More work in London at St John's Church, Waterloo. For nearly forty years the artist Phyllis Bray collaborated with Feibusch on producing his church murals. He also produced non-religious work at the village of Portmeiron in Wales as a result of his friendship with Clough Williams-Ellis, and his portrait of Williams-Ellis is held in the National Portrait Gallery. He also decorated civic buildings in Dudley and Newport. A series of 12 murals by Feibusch, each over , around the central hall of Newport Civic Centre, tell the history of Newport. They were commissioned by Newport Corporation in 1960 and painted during the period 1961-4. The Dolman Theatre in Newport houses a mural of an early travelling theatre painted by Feibusch in 1967. (fr)
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  • Hans Feibusch, né le 15 août 1898, et mort le 18 juillet 1998, est un peintre et sculpteur allemand d'origine juive qui vit et travaille en Grande-Bretagne de 1933 jusqu'à sa mort. Il est surtout connu pour ses peintures murales, particulièrement dans les églises anglicanes. En tout, il travaille dans trente églises anglicanes (28 comme muraliste, et deux, dont la cathédrale d'Ely, comme sculpteur seulement) et il produit ce qui est probablement le plus grand nombre d'œuvres de son métier dans l'histoire de l'Église d'Angleterre[réf. nécessaire]. (fr)
  • Hans Feibusch, né le 15 août 1898, et mort le 18 juillet 1998, est un peintre et sculpteur allemand d'origine juive qui vit et travaille en Grande-Bretagne de 1933 jusqu'à sa mort. Il est surtout connu pour ses peintures murales, particulièrement dans les églises anglicanes. En tout, il travaille dans trente églises anglicanes (28 comme muraliste, et deux, dont la cathédrale d'Ely, comme sculpteur seulement) et il produit ce qui est probablement le plus grand nombre d'œuvres de son métier dans l'histoire de l'Église d'Angleterre[réf. nécessaire]. (fr)
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  • Hans Feibusch (fr)
  • Hans Feibusch (fr)
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