. . . . "XX5506281"@fr . "9780999702819"^^ . . "Black Square Editions"@fr . . . . . "100"^^ . . . . "11017888"^^ . "Calamity Jane"@fr . "9781934909577"^^ . . "256"^^ . . . "Furniture Press Books"@fr . "The American Pragmatist Fell In Love"@fr . "The Library As Learning Matrix: The Art of the Box Lunch"@fr . . . "Hanging Loose Press"@fr . . . "9780972325707"^^ . "2014"^^ . "446241395"^^ . "Thomas Devaney"@fr . . "2009"^^ . . . . "Getting to Philadelphia: New and Selected Poems"@fr . . "400887800"^^ . . "314907977"^^ . "2007-09-01"^^ . . "Philadelphie, Pennsylvanie,"@fr . . "Enemies in the Plaza: Urban Spectacle and the End of Spanish Frontier Culture, 1460-1492"@fr . "Thomas Devaney (n\u00E9 en 1969 \u00E0 Philadelphie) est un po\u00E8te, et professeur d'universit\u00E9 am\u00E9ricain."@fr . "en"@fr . "Pew Center for Arts & Heritage"@fr . . . . "1999-05-19"^^ . . "University Of Pennsylvania Libraries"@fr . "56"^^ . "Thomas Devaney"@fr . . . "The Print Center"@fr . "1969"^^ . . . . "320853507"^^ . "9781940092041"^^ . "314907977" . "Thomas Devaney (n\u00E9 en 1969 \u00E0 Philadelphie) est un po\u00E8te, et professeur d'universit\u00E9 am\u00E9ricain."@fr . "\u062A\u0648\u0645\u0627\u0633 \u062F\u064A\u0641\u0627\u0646\u0649"@arz . "2019-11-15"^^ . . "You Are the Battery"@fr . "2347434"^^ . . "Fish Drum. Inc."@fr . "no2015025561"@fr . . . "44"^^ . "Banshee Press"@fr . "9781934909485"^^ . "Will Brown"@fr . . . . . . . "80"^^ . "9780812247138"^^ . "2019-05-20"^^ . "186100779"^^ . . . "88"^^ . . "A Series Of Small Boxes"@fr . . "Runaway Goat Cart"@fr . "2015-05-22"^^ . . . . "66"^^ . . "64"^^ . "University of Pennsylvania Press"@fr . . "The Picture That Remains"@fr . . . . "2015-05-26"^^ . "68"^^ . "17057313"^^ . . . . . . . "9781928823018"^^ . "Master of Fine Arts au Brooklyn College en 1998"@fr . . . . . . . "0000000446241395" . "jo2017964678"@fr . "no2015025561" . . "17057313" . "2014-06-21"^^ . . . . "180669170"^^ . . "Po\u00E9sie, professeur d'universit\u00E9"@fr . . . . "186100779" . . "10863"^^ . "9781929495115"^^ . . .