"John R. Bradley"@fr . . "12125"^^ . "Hollywoodizing Henry James"@fr . . . . "Edward"@fr . "automne 1962"@fr . . . . . . . . . . "automne 1977"@fr . . "University of California Press"@fr . . . "University of Georgia Press"@fr . . . . "Black and White and Shades of Grey"@fr . . . . . . "1998"^^ . "1999"^^ . . . "Suspense (film 1961)"@it . "68"^^ . "1987"^^ . "Pauline"@fr . "Tison"@fr . . . "76"^^ . "A Literary Life at the Movies"@fr . "2014"^^ . "-115"^^ . . "John C."@fr . "2013"^^ . "2002"^^ . . "2000"^^ . . . "2005"^^ . . "Palmer"@fr . "Anthony J."@fr . "97"^^ . . "Mazzella"@fr . "Les Innocents"@fr . . . . . . . "https://muse.jhu.edu/article/612733|num\u00E9ro chapitre=3"@fr . "99"^^ . . "Kael"@fr . "103"^^ . "en"@fr . "Tredy"@fr . . "21"^^ . . . "28"^^ . "1.33"^^ . . . . . "11"^^ . . . . . . . "Laurence"@fr . "Les Innocents de Jack Clayton"@fr . . . "43796289"^^ . . "43"^^ . . . . "5940.0"^^ . . . "John Mortimer"@fr . . . . . . "Susan M. Griffin"@fr . . . "Henry James on Stage and Screen"@fr . "Val"@fr . . "Neil"@fr . . . "\u00AB\u00A0The Story... Held Us\u00A0\u00BB"@fr . . "Londres / New York"@fr . . . "Scriptwriter for the Stars : Capote's Screen Adaptations of Indiscretion of an American Wife, Beat the Devil, and The Innocents"@fr . "British Popular Cinema"@fr . . "invisible et secret au c\u0153ur de l'image"@fr . . . . "\u56DE\u8EE2 (\u6620\u753B)"@ja . "Les Innocents (The Innocents) est un film britannique r\u00E9alis\u00E9 et produit par Jack Clayton, sorti en 1961, adapt\u00E9 de la nouvelle d'Henry James le Tour d'\u00E9crou."@fr . "Recchia"@fr . . . . . "Les Innocents" . "BFI Film Classics"@fr . "Chase"@fr . "Cinematic Ambiguity"@fr . . . . "Adapting Henry James's The Turn of the Screw to the Screen"@fr . "1211186"^^ . . . . . "Wilson"@fr . . . . "Truman Capote"@fr . "British Horror Cinema"@fr . . . "188870296"^^ . "\u041D\u0435\u0432\u0438\u043D\u043D\u044B\u0435"@ru . "The old dark house"@fr . . . "Shadows of Shadows - Techniques of Ambiguity in Three Film Adaptations of The Turn of the Screw"@fr . . . "Les Innocents (film, 1961)"@fr . . . . "Romancing the Stones"@fr . . . . . "Marie-Pierre"@fr . . . . . . . "\u0627\u0644\u0628\u0631\u064A\u0626\u0648\u0646"@arz . . . "Pugh"@fr . . . . "The South on Screen"@fr . "The Innocents (1961 film)"@en . . . . . "5940.0"^^ . "43454554"^^ . . . "10.2307"^^ . "Tibbetts"@fr . . "386"^^ . . . "Os Inocentes (filme)"@pt . "The Innocents, and What Passes for Experience"@fr . "1684960"^^ . . . . . "J. Clayton's The Innocents , D. Curtis's The Turn of the Screw , and A. Aloy's Presence of Mind"@fr . "Film Comment"@fr . . . "34"^^ . . "100"^^ . . . "25"^^ . "Deborah Kerr" . "janvier-f\u00E9vrier"@fr . "Les Innocents"@fr . . . . . . "d'apr\u00E8s Henry James"@fr . . . "E-rea"@fr . "Salisbury University"@fr . . . "15"^^ . "British Film-Makers"@fr . "2.3"^^ . . "5"^^ . . . . . . . "Frappier"@fr . "The Innocents"@fr . "Henry James Goes to the Movies"@fr . "le fantastique"@fr . . . "Christopher"@fr . . . "Donald"@fr . . . "Steve Chibnall et Julian Petley"@fr . . . . . "Sinyard"@fr . . . . . . . "Ambiguity in The Innocents"@fr . . . . "1961-11-24"^^ . "Dennis"@fr . "The Turn of the Screw from Henry James to Jack Clayton"@fr . . . . . . "287"^^ . . . . . "-264"^^ . . "the architecture of ambiguity in The Turn of the Screw and The Innocents"@fr . . . "978"^^ . "304"^^ . . "Raw"@fr . . "hiver 2004"@fr . . . . . . . "Ath\u00E8nes"@fr . . . . . "An Eye for An I"@fr . . . . . . . "Jack Clayton"@fr . . . . . . . . . . . "The Henry James Review"@fr . . "43795561"^^ . "198"^^ . "Jack Clayton's The Innocents"@fr . ""@fr . . . "James's The Turn of the Screw and Clayton's The Innocents"@fr . "Frayling"@fr . . . "James W."@fr . . . . "Literature/Film Quarterly"@fr . . "245"^^ . . "10.1353"^^ . "Les Innocents (The Innocents) est un film britannique r\u00E9alis\u00E9 et produit par Jack Clayton, sorti en 1961, adapt\u00E9 de la nouvelle d'Henry James le Tour d'\u00E9crou."@fr . . "1961"^^ . . "Labyrinthe"@fr . "2"^^ . . "3"^^ . "1"^^ . . "Films from New York"@fr . "4"^^ . . . . "0"^^ . . . . . . . . .