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  • Pierrot, ou Pedrolino, est un personnage de l’ancienne comédie italienne, l’un des zanni ou valets bouffons de la comédie italienne. Pierrot est candide, badin et a une certaine dose de bon sens. Son vêtement est blanc. Il ne porte pas de masque et a le visage enfariné. Souvent dans la commedia dell'arte, il est le rival d’Arlequin auprès de Francisquine ou de Zerbinette, et il est amoureux de Colombine la blanchisseuse dans certaines représentations.
  • O pierrot ou pierrô é uma personagem de mímica e da Commedia dell'Arte, uma variação francesa do Pedrolino Italiano. O seu caráter é aquele de um palhaço triste, apaixonado pela Colombina, que inevitavelmente lhe parte o coração e o deixa pelo Arlequim. É normalmente representado a usar roupas largas e brancas, por vezes metade pretas, rosto branco e uma lágrima desenhada abaixo dos olhos. A característica principal do seu comportamento é a sua ingenuidade, e é visto como um bobo, sendo sempre o alvo de partidas, mas mesmo assim continua a confiar nas pessoas. Pierrot também é apresentado como sendo lunático, distante e inconsciente da realidade. O feminino é pierrete.A versão francesa do personagem foi feita por Jean-Gaspard Deburau (1796-1846). Ele é o protagonista da famosa canção folclórica francesa "Au Clair de la Lune".Soletrado "Pjerrot", o personagem é uma atração importante em Bakken, o parque de atrações mais velho do mundo, na Dinamarca. Segundo a publicidade de Bakken, o personagem tem mais de 4.000 anos, e veio da Turquia (conhecida como Ásia Menor). Também é dito que nos tempos antigos, a boca larga vermelha era feita através do corte físico da boca para alargá-la.O cantor de cabaré Russo do século XX, Alexander Vertinsky, era famoso pela sua atuação como Pierrot, onde ele usava um fato preto e punha pó branco na cara. Pierrô apaixonado musica de Noel Rosa e Heitor dos Prazeres, Pierrot música de Los Hermanos e Colombina música de Ed Motta, fazem referência.
  • Пиеро (на френски: Pierrot) е френският вариант на италианския персонаж Педролино от италианската комедия дел арте и пантомимата. В превод името е умалително и галено на Пиер - малкият Пиер. Появява се за първи път през 17-ти век в Париж в трупата на пътуващите италиански комици. Пиеро е тъжен клоун, който мечтае за любовта на Коломбина, която обикновено го оставя заради Арлекин. Облечен е изцяло в бяло, с широка блуза с големи копчета и широк бял панталон. Не носи маска, но лицето му е боядисано в бяло. В редки случаи носи шапка, която е конусовидна. Той е ловък слуга, който се крие под маската на добродушието.В края на 19-ти и началото на 20-ти век той става един от най-популярните герои. Изобразен е в картини на Антоан Вато, Пол Сезан, произведения на Александър Блок и други.
  • Pierrot è una maschera nata in Italia verso la fine del Cinquecento.
  • Pierrot – postać smutna i romantyczna, charakteryzująca się twarzą wybieloną mąką. Ubrany w biały strój. Pierrot na twarzy miał namalowane duże, czarne łzy, a na białym stroju ogromne, czarne guziki. Jedna z postaci włoskiej commedii dell'arte m.in. obok Arlekina i Scapino, którą rozsławiła pantomima francuska.
  • Pierrot es un personaje de la Comédie Italienne, a partir de Pierotto o Pedrolino, máscara secundaria de la Commedia dell'Arte del siglo XVI, cuya personalidad se atribuye al cómico Giuseppe Giratoni en el siglo XVII. Pasó a Francia a finales de esa misma centuria, donde el mimo Jean-Gaspard Deburau le dio el carácter y apariencia que le harían universal.En el umbral del siglo XXI, la iconografía que se conservan de Pierrot son las del mimo silencioso definido por Deburau en Les funambules; el mismo de Les folies nouvelles, del mimo Paul Legrand, y de La historia de un Pierrot (1890), de Mario Costa y Fernand Beissier.
  • Der Pierrot (französische Übersetzung des italienischen Namens im Diminutiv Pedrolino, deutsch: „Peterchen“) ist eine männliche Bühnenfigur, die der Pantomime Jean-Gaspard Deburau in Paris seit 1816 unter anderem aus dem Pedrolino bzw. dem Pagliaccio der Commedia dell’arte und dem Gilles des Pariser Jahrmarktstheaters entwickelt hat.
  • Pierot je původní postava francouzského lidového divadla. Vystupuje v dlouhých bílých šatech s velkými knoflíky, se širokým bílým baretem a bíle nalíčeným obličejem.Většinou se objevuje v pantomimě, obvykle je to komická postava, často zhrzený milovník.
  • Pierrot (French pronunciation: ​[pjɛʁo]) is a stock character of pantomime and Commedia dell'Arte whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comédie-Italienne; the name is a hypocorism of Pierre (Peter), via the suffix -ot. His character in postmodern popular culture—in poetry, fiction, the visual arts, as well as works for the stage, screen, and concert hall—is that of the sad clown, pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim, more rarely with a conical shape like a dunce's cap. But most frequently, since his reincarnation under Jean-Gaspard Deburau, he wears neither collar nor hat, only a black skullcap. The defining characteristic of Pierrot is his naïveté: he is seen as a fool, always the butt of pranks, yet nonetheless trusting.It was a generally buffoonish Pierrot that held the European stage for the first two centuries of his history. And yet early signs of a respectful, even sympathetic attitude toward the character appeared in the plays of Jean-François Regnard and in the paintings of Antoine Watteau, an attitude that would deepen in the nineteenth century, after the Romantics claimed the figure as their own. For Jules Janin and Théophile Gautier, Pierrot was not a fool but an avatar of the post-Revolutionary People, struggling, sometimes tragically, to secure a place in the bourgeois world. And subsequent artistic/cultural movements found him equally amenable to their cause: the Decadents turned him, like themselves, into a disillusioned disciple of Schopenhauer, a foe of Woman and of callow idealism; the Symbolists saw him as a lonely fellow-sufferer, crucified upon the rood of soulful sensitivity, his only friend the distant moon; the Modernists converted him into a Whistlerian subject for canvases devoted to form and color and line. In short, Pierrot became an alter-ego of the artist, specifically of the famously alienated artist of the nineteenth and early twentieth centuries. His physical insularity; his poignant lapses into mutism, the legacy of the great mime Deburau; his white face and costume, suggesting not only innocence but the pallor of the dead; his often frustrated pursuit of Columbine, coupled with his never-to-be vanquished unworldly naïveté—all conspired to lift him out of the circumscribed world of the Commedia dell'Arte and into the larger realm of myth. Much of that mythic quality still adheres to the "sad clown" of the postmodern era.
  • Een pierrot (ook witte clown) is een clown die als tegenspeler van de domme clown of august optreedt.
  • Pierrot és una màscara-personatge de la Commedia dell'arte, nascuda a Itàlia cap a finals del segle XVI. El nom de Pierrot és un gal·licisme que deriva del personatge italià de la Commedia dell’arte, Pedrolino, un dels primers zanni. Va ser interpretat per Giovanni Pellesini, actor de la companyia Gelosi.El personatge va arribar a França on va passar a formar part del repertori de les companyies franceses amb el nom de Pierrot, gràcies a l'aportació de Giuseppe Geratoni que va ser el primer a introduir-lo, el 1673. Amb tot, el primer gran Pierrot va ser encara un italià, Fabio Antonio Sticotti (1676-1741). El personatge va ser perfeccionat pel seu fill Antonio-Jean Sticotti (1715?-1772), que el va exportar a Alemanya.Els Sticotti van reinventar i donar nova vida a aquest personatge adaptant-lo al gust dels francesos i després del públic de les corts europees. De fet, la versió francesa de Pierrot va perdre les característiques d'astúcia i ironia pròpies dels zanni per esdevenir un mim trist, enamorat de la lluna.El mim Jean-Gaspard Debureau (1796-1846) va representar el Pierrot vuitcentista al Theâtre des Funanbules. La vida de Debureau va inspirar el personatge de Gaspard de la pel·lícula Les enfants du Paradise del director de cinema francès Marcel Carné.Debureau va establir les característiques que, en endavant, definirien la iconografia del Pierrot: un vestit blanc i ample, amb botons negres i un petit barret negre sobre la cara pintada de blanc.
  • Пьеро́ (фр. Pierrot, уменьшительная форма имени Пьер, фр. Pierre) — один из персонажей французского народного ярмарочного театра.
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  • 1978 (xsd:integer)
  • 1985 (xsd:integer)
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  • Princeton, N.J
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  • Robert
  • Robert F.
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  • Pierrots on the stage of desire: nineteenth-century French literary artists and the comic pantomime
  • Pierrot: a critical history of a mask
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  • Princeton University Press
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  • Pierrot, ou Pedrolino, est un personnage de l’ancienne comédie italienne, l’un des zanni ou valets bouffons de la comédie italienne. Pierrot est candide, badin et a une certaine dose de bon sens. Son vêtement est blanc. Il ne porte pas de masque et a le visage enfariné. Souvent dans la commedia dell'arte, il est le rival d’Arlequin auprès de Francisquine ou de Zerbinette, et il est amoureux de Colombine la blanchisseuse dans certaines représentations.
  • Pierrot è una maschera nata in Italia verso la fine del Cinquecento.
  • Pierrot – postać smutna i romantyczna, charakteryzująca się twarzą wybieloną mąką. Ubrany w biały strój. Pierrot na twarzy miał namalowane duże, czarne łzy, a na białym stroju ogromne, czarne guziki. Jedna z postaci włoskiej commedii dell'arte m.in. obok Arlekina i Scapino, którą rozsławiła pantomima francuska.
  • Der Pierrot (französische Übersetzung des italienischen Namens im Diminutiv Pedrolino, deutsch: „Peterchen“) ist eine männliche Bühnenfigur, die der Pantomime Jean-Gaspard Deburau in Paris seit 1816 unter anderem aus dem Pedrolino bzw. dem Pagliaccio der Commedia dell’arte und dem Gilles des Pariser Jahrmarktstheaters entwickelt hat.
  • Pierot je původní postava francouzského lidového divadla. Vystupuje v dlouhých bílých šatech s velkými knoflíky, se širokým bílým baretem a bíle nalíčeným obličejem.Většinou se objevuje v pantomimě, obvykle je to komická postava, často zhrzený milovník.
  • Een pierrot (ook witte clown) is een clown die als tegenspeler van de domme clown of august optreedt.
  • Пьеро́ (фр. Pierrot, уменьшительная форма имени Пьер, фр. Pierre) — один из персонажей французского народного ярмарочного театра.
  • Pierrot es un personaje de la Comédie Italienne, a partir de Pierotto o Pedrolino, máscara secundaria de la Commedia dell'Arte del siglo XVI, cuya personalidad se atribuye al cómico Giuseppe Giratoni en el siglo XVII.
  • O pierrot ou pierrô é uma personagem de mímica e da Commedia dell'Arte, uma variação francesa do Pedrolino Italiano. O seu caráter é aquele de um palhaço triste, apaixonado pela Colombina, que inevitavelmente lhe parte o coração e o deixa pelo Arlequim. É normalmente representado a usar roupas largas e brancas, por vezes metade pretas, rosto branco e uma lágrima desenhada abaixo dos olhos.
  • Pierrot és una màscara-personatge de la Commedia dell'arte, nascuda a Itàlia cap a finals del segle XVI. El nom de Pierrot és un gal·licisme que deriva del personatge italià de la Commedia dell’arte, Pedrolino, un dels primers zanni.
  • Пиеро (на френски: Pierrot) е френският вариант на италианския персонаж Педролино от италианската комедия дел арте и пантомимата. В превод името е умалително и галено на Пиер - малкият Пиер. Появява се за първи път през 17-ти век в Париж в трупата на пътуващите италиански комици. Пиеро е тъжен клоун, който мечтае за любовта на Коломбина, която обикновено го оставя заради Арлекин. Облечен е изцяло в бяло, с широка блуза с големи копчета и широк бял панталон.
  • Pierrot (French pronunciation: ​[pjɛʁo]) is a stock character of pantomime and Commedia dell'Arte whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comédie-Italienne; the name is a hypocorism of Pierre (Peter), via the suffix -ot.
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  • Pierrot (commedia dell'arte)
  • Pierot
  • Pierrot
  • Pierrot
  • Pierrot
  • Pierrot
  • Pierrot
  • Pierrot
  • Pierrot
  • Pierrot
  • Пиеро
  • Пьеро
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