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  • Let's Face the Music est le sixième album studio de Shirley Bassey, sorti en 1962. Il est considéré comme son grand succès artistique. Il est classé no 12 au UK Albums Chart, puis no 17 lors de sa ressortie en 1971. Let's Face the Music contient quelques reprises de chansons populaires comme I Should Care ; Let's Fall in Love ; Imagination ; un succès de Glenn Miller ; I Get a Kick Out of You, un hit de Cole Porter extrait de la comédie musicale Anything Goes et Everything I Have Is Yours. Y sont adjoints quelques standards de jazz comme Let's Face the Music and Dance créé par Fred Astaire en 1936, Spring Is Here ou All of Me. L'album contient le single What Now My Love de Gilbert Bécaud, qui reste 17 semaines au UK Singles Chart où il atteint le no 5. Let's Face the Music sort en 33 tours. Aux États-Unis, il sort chez United Artists Records sous le titre Shirley Bassey Sings The Hit Song From "Oliver!" avec une pochette et des titres différents (UAS 6765), As Long as He Needs Me remplaçant Spring Is Here et Imagination, All of Me et All the Things You Are étant présenté dans des versions alternatives. Let's Face the Music est réédité une première fois par EMI en 33 tours en 1971 sous le titre What Now My Love puis en disque compact en 1999 sous son titre original.
  • Let's Face the Music is the sixth Shirley Bassey studio album, released in 1962, and arranged by Nelson Riddle.Kenneth Hume, Shirley Bassey's husband and manager wrote the sleeve notes for this album, in which he gives an insight into how this album came to being: "When Vic Lewis booked Nelson Riddle for a tour with Shirley, we were all very excited; being great fans of Nelson Riddle's from way back...so when someone suggested them doing an LP together, we thought that this would not be possible, remembering that Nelson was under contract with another recording company." Nelson Riddle was under contract to Capitol Records at the time, so Bassey's producer Norman Newell went about to secure his services for an album. While on the tour, Bassey, Riddle, and Bassey's music director Raymond Long discussed what form the album should take. Shortly after the tour was completed, the recording sessions began.This album was issued in the US as Shirley Bassey Sings The Hit Song From "Oliver!" on the United Artists label, with a slightly different track listing and alternative recordings. "I Can't Get You Out of My Mind" was replaced by "As Long As He Needs Me", and "Imagination", "All of Me" and "All the Things You Are" appear on Oliver! in alternative versions. The alternative versions have not yet been released in the UK and are still not available on CD. The UK album was re-issued in 1971 as What Now My Love on the EMI Music For Pleasure (MFP) label, it reached number 17 in the UK album charts. The original album was issued in mono and stereo. The stereo version of this album was released on CD in 1999 by EMI. The album was reissued on CD (7243 4 732226 2 4) by EMI in 2004 as part of the "60s 2on1" series - featuring 2 albums on 1 CD. The album was paired with the 1961 album "Shirley". However, for this reissue, due to the time restrictions of placing 2 albums on a single CD, "I Should Care" and "The Second Time Around" from "Let's Face The Music" were omitted.
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  • Let's Face the Music est le sixième album studio de Shirley Bassey, sorti en 1962. Il est considéré comme son grand succès artistique. Il est classé no 12 au UK Albums Chart, puis no 17 lors de sa ressortie en 1971. Let's Face the Music contient quelques reprises de chansons populaires comme I Should Care ; Let's Fall in Love ; Imagination ; un succès de Glenn Miller ; I Get a Kick Out of You, un hit de Cole Porter extrait de la comédie musicale Anything Goes et Everything I Have Is Yours.
  • Let's Face the Music is the sixth Shirley Bassey studio album, released in 1962, and arranged by Nelson Riddle.Kenneth Hume, Shirley Bassey's husband and manager wrote the sleeve notes for this album, in which he gives an insight into how this album came to being: "When Vic Lewis booked Nelson Riddle for a tour with Shirley, we were all very excited; being great fans of Nelson Riddle's from way back...so when someone suggested them doing an LP together, we thought that this would not be possible, remembering that Nelson was under contract with another recording company." Nelson Riddle was under contract to Capitol Records at the time, so Bassey's producer Norman Newell went about to secure his services for an album.
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